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By Rebecca Kukla

This 2006 quantity explores the connection among Kant's aesthetic thought and his serious epistemology as articulated within the Critique of natural cause and the Critique of the facility of Judgment. The essays, written in particular for this quantity, discover center components of Kant's epistemology, similar to his notions of discursive figuring out, event, and aim judgment. additionally they display a wealthy take hold of of Kant's serious epistemology that allows a deeper knowing of his aesthetics. jointly, the essays exhibit that Kant's serious undertaking, and the dialectics of aesthetics and cognition inside of it, continues to be correct to modern debates in epistemology, philosophy of brain, and the character of expertise and objectivity. The publication additionally yields very important classes in regards to the ineliminable, but tricky position of mind's eye, sensibility and aesthetic adventure in belief and cognition.

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It is not that I require others to line up and vote the same way as I do. Rather, I demand that they share my feeling of pleasure in the object. Indeed, I do not think that my judgment should count as Introduction 27 a judgment of taste unless I believe everyone ought to agree with me. And if I do make such a claim and others disagree with me, I don’t merely feel a difference between us, but alienated from an important aspect of humanity, namely, a shared sensibility. Part II opens with a dialogue between Paul Guyer and Henry Allison concerning Allison’s reading of the cognitive and normative structure of judgments of taste in Kant’s Theory of Taste (2001).

First, if intuition is formed by aesthetic activity by the time it even makes it to the understanding, and if we have no argument for the objective validity of the principles by which it does this, then it’s not clear why we should think that this forming is proceeding in a way that is truly accountable to the sensible world, rather than based on merely subjective standards. This problem reemerges in the context of the third Critique, in 18 See in particular CPJ §8. 18 Rebecca Kukla the form of the question of what kind of validity or normative accountability our aesthetic judgments can claim.

For in that case, it would seem that we can arrive at empirical concepts by reflecting on, and thus making explicit, the rules governing our imaginative activity. But while this qualification is necessary if we are to understand Kant’s position, it does not resolve the problem. For now we are faced with the question of the source of these rules. The rules themselves, it would seem, cannot derive from experience regarded as the product of imaginative activity, since they are required for the possibility of this activity and of the experience to which it gives rise.

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