By Martin Davies
Aldus Manutius (1449-1515) was once a member of the Manuzio family members, founders of the Aldine Press. less than his course, the clicking undertook an unlimited software of constructing the written continues to be of Greek antiquity commonly and systematically on hand to the scholarly public of Renaissance Europe. furthermore, Aldus published many Latin and Italian texts in more cost-effective codecs within the well-known Aldine italic typeface. In commemoration of the quincentenary of Aldus's first e-book, this learn, copublished with the British Library, introduces the "prince of printers" in his numerous guises--as pupil, businessman, editor, and typographer. The superbly reproduced illustrations are drawn mostly from Aldines within the unequalled number of the British Library.
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Additional info for Aldus Manutius: Printer and Publisher of Renaissance Venice
Work dis- The book was a vast encyclopaedia of the Latin language - more than 700 pages in Aldus's edition - cast in the form of a commentary on part of Martial's epigrams. This unpromising format had in fact proved extremely popular since its first appearance at Venice in 1489, and no fewer than nine editions appeared in the next decade. edition It remains to be investigated whether Aldus's assertion that was superior in having been taken from 'the archetype' is justified. his One 33 13-14 Hypnerotomachia 1499.
Io^. work of Andrea Mantegna and Giovanni within that ambit of north Italian classicism which contributed so lies is of the woodcuts. But the printed mis-en- page artist so carefully arranged that impossible to think that he did not have direct it is At the very least the dolphin and one of the many representations of 'hasten slowly' dealings with the author and illustrator. anchor on dy fol. (Fig. 17), in the book, seized Aldus's imagination, becoming in due course his motto and his printer's device.
Published lines of prose. And these books sold. By Bembo the time of the dedication to in 15 14, Aldus had already exhausted two editions of the works of Virgil (which estimate to have been about 3000 for each run). incunable editions of his Greek folios were still By contrast, nearly we can all the available in the third advertise- Not that the octavos were cheap Isabella d'Este, the learned Marchioness of Mantua (and another former pupil of Battista Guarino), sent back some vellum copies she had ordered when she was told by her courtiers that they were worth no more than half the price Aldus's ment of 513, 1 some reduced at prices.