Download Bergson-Deleuze Encounters: Transcendental Experience and by Valentine Moulard-Leonard PDF

By Valentine Moulard-Leonard

Explores the continuities and discontinuities within the paintings of Henri Bergson and Gilles Deleuze.

Show description

Read Online or Download Bergson-Deleuze Encounters: Transcendental Experience and the Thought of the Virtual PDF

Best aesthetics books

The Philosophy of Art: The Question of Definition: From Hegel to Post-Dantian Theories (Bloomsbury Studies in Philosophy)

Drawing at the philosophies of artwork constructed by way of the continental authors and stories of Anglo-American philosophers, this booklet offers a landscape of the philosophy of artwork. It discusses definitions provided from the analytical university together with Arthur Danto's representationalism, Dipert's theories of artefactualism, Dickie's institutional and procedural theories and Levinson's historic and cultural theories.

Ekphrasis: The Illusion of the Natural Sign

Comparative literature from one of many higher readers of the latter 1/2 the twentieth century. turns out to retail for plenty on amazon

"Since he released his impressive 1967 essay on ekphrasis, or the literary depiction of visible artwork, Krieger has been wrestling with the bigger implications of the style for a concept of ways it manifests itself. during this considerate and thought-provoking e-book, he forcefully grapples with the traditional paradox that phrases in time can appear to create photos in house. .. .This paintings of ample intelligence patiently unfolds the various puzzles and contradictions of ekphrasis, from the safeguard of Achilles to post-modernism. "--Virginia Quarterly Review.

What, in it appears pictorial poetry, do words--can words--represent? Conversely, how can phrases in a poem be picturable? After many years of analyzing and brooding about the character and serve as of literary illustration, Murray Krieger right here develops his such a lot systematic theoretical assertion out of solutions to such questions. Ekphrasis is his account of the ongoing debates over that means in language from Plato to the current. Krieger sees the modernist place because the logical end result of those debates yet argues that more moderen theories noticeably query the political and aesthetic assumptions of the modernists and the 2,000-year culture they declare to culminate.

Krieger specializes in ekphrasis--the literary illustration of visible paintings, actual or imaginary--a shape at the very least as outdated as its most renowned instance, the guard of Achilles verbally invented within the Iliad. Heargues that the "ekphrastic principle" has remained enduringly challenging in that it displays the resistant paradoxes of illustration in phrases. As he examines the clash among spatial and temporal, among vision-centered and word-centered metaphors, Krieger finds how literary thought has been formed through the makes an attempt and the misleading disasters of language to do the task of the "natural signal. "

On Ugliness

Within the mould of his acclaimed background of attractiveness, well known cultural critic Umberto Eco’s On Ugliness is an exploration of the substantial and the repellant in visible tradition and the humanities. what's the voyeuristic impulse in the back of our allure to the ugly and the terrible? the place does the magnetic allure of the sordid and the scandalous come from?

1910: The Emancipation of Dissonance

The yr 1910 marks an brilliant, and mostly unrecognized, juncture in Western heritage. during this perceptive interdisciplinary research, Thomas Harrison addresses the intense highbrow success of the time. targeting the cultural weather of center Europe and paying specific realization to the lifestyles and paintings of Carlo Michelstaedter, he deftly portrays the reciprocal implications of alternative discourses--philosophy, literature, sociology, track, and portray.

Extra resources for Bergson-Deleuze Encounters: Transcendental Experience and the Thought of the Virtual

Sample text

So far we have seen that according to him, while the past differs essentially from the present, they both participate in the underlying Ur dimension of becoming, or the constant unidirectional flow of duration. This means that my body, in its very spatiality, coincides with presence; therefore, Bergson concludes, it can only store up the action of the past “in the form of motor arrangements (dispositifs moteurs), and of motor arrangements alone” (1997a, 77/1991, 81, trans. ). This implies, as Bergson will show with his famous treatment of aphasia, that the forgetting involved in various forms of mnemonic pathologies usually associated with the damaging of a certain localized part of the brain must not be ascribed too quickly to the destruction of the memory-images themselves, images that would otherwise have to be strictly localized in that particular part of the brain.

11 Now if science and philosophy must complement one another, then it also means that they must be irreducible to one another. But for Bergson, this irreducibility is no more based in the diversity of their objects than in the diversity of their methods per se; these differences may be an effect, but they cannot be the cause of their necessary distinction, since ultimately the object of both science and philosophy is (at least in principle) reality itself. According to Bergson, the difference between science and philosophy lies in their respective functions.

His self-declared “optimism” is clearly directed at the future;10 he situates his greatest hopes for the actual progress of humanity 19 Bergson-Deleuze Encounters toward universal peace in the combination of mystical aspiration and technological progress (1997b, 310/1935, 291). Such remarks as those we find in the Two Sources only reinforce the work he performed in Creative Evolution, when he proposed a method based in the necessity of the convergence between the respective efforts of philosophy and the sciences (1998, 85/1998, 94).

Download PDF sample

Rated 4.42 of 5 – based on 28 votes