By Sigmund Freud
A set of a few of Freud's most renowned essays, together with at the advent OF NARCISSISM; REMEMBERING, REPEATING and dealing via; past THE excitement precept; THE EGO AND THE identity and INHIBITION, SYMPTOM AND worry.
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Extra resources for Beyond the Pleasure Principle and Other Writings
Years ago, you followed someone here, in love with breath kissing the nape of your neck, back when it was easy to be at least two places at once. 26 P e pp e r If you were alive, Art Pepper, I’d collar you as you stepped off the bandstand. Last notes of “Softly as in a Morning Sunrise” fall between us, a hint of Africa still inside your alto. Someone wants to blame your tongue on drugs: If I found out some white broad was married to a black guy I’d rave at her in games & call her tramp, slut, whore.
Cocky & skillful, you go into a groove & dance the true pivot, playing for jitterbug contests at Katoomba & the Trocadero. Going deeper into each song, you rattle keys like Houdini locked in a trunk, 34 bending within a black echo. The difference between the difference is the difference, you holler to a full moon hanging over the steel mills of Wollongong. Like an unknown voice rising out of flesh, each secret is buried beneath the skin, & you feel they try to pick your brain for them, to find the rhythm of your heart, as you swear the beat is stolen from the sea.
Tremolo. Dexter comes back to rest behind my eyelids. A loneliness lingers like a silver needle under my black skin, as I try to feel how it is to scream for help through a horn. 37 The Plea Round about midnight the clock’s ugly stare hangs in mental repose & its antimagnetic second hand measures a man’s descent. Bop, bop, bebop, rebop. The bottom falls out of each dream— the silver spike is in my hands & I’m on the floor. The Alice in Malice does a little soft shoe on my troubled heart. Hot & heavy, cool & cosmic honeydripper fingers play the missing notes inbetween life & death round midnight.